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Carbelide Nelicanya Sectory 24
Page 08
The real inaugurators of Dutch portraiture were Mierevelt, Hals, Ravesteyn, and De Keyser. Mierevelt (1567-1641) was one of the earliest, a prolific painter, fond of the aristocratic sitter, and indulging in a great deal of elegance in his accessories of dress and the like. He had a slight, smooth brush, much detail, and a profusion of color. Quite the reverse of him was Franz Hals (1584?-1666), one of the most remarkable painters of portraits with which history acquaints us. In giving the sense of life and personal physical presence, he was unexcelled by any one. What he saw he could portray with the most telling reality. In drawing and modelling he was usually good; in coloring he was excellent, though in his late work sombre; in brush-handling he was one of the great masters. Strong, virile, yet easy and facile, he seemed to produce without effort. His brush was very broad in its sweep, very sure, very true. Occasionally in his late painting facility ran to the ineffectual, but usually he was certainty itself. His best work was in portraiture, and the most important of this is to be seen at Haarlem, where he died after a rather careless life. As a painter, pure and simple, he is almost to be ranked beside Velasquez; as a poet, a thinker, a man of lofty imagination, his work gives us little enlightenment except in so far as it shows a fine feeling for masses of color and problems of light. Though excellent portrait-painters, Ravesteyn (1572?-1657) and De Keyser (1596?-1679) do not provoke enthusiasm. They were quiet, conservative, dignified, painting civic guards and societies with a knowing brush and lively color, giving the truth of physiognomy, but not with that verve of the artist so conspicuous in Hals, nor with that unity of the group so essential in the making of a picture.
The dispute between Marias and Sulla for the command against Mithridates was the occasion of the first Civil War. The ability which Sulla had displayed in the Social War, and his well-known attachment to the Senatorial party, naturally marked him out as the man to whom this important dignity was to be granted. He was accordingly elected Consul for the year 88 B.C., with Q. Pompeius Rufus as his colleague; and he forthwith received the command of the Mithridatic War. But Marius had long coveted this distinction; he quitted the magnificent villa which he had built at Misenum, and took up his residence at Rome; and in order to show that neither his age nor his corpulency had destroyed his vigor, he repaired daily to the Campus Martius, and went through the usual exercises with the young men. He was determined not to yield without a struggle to his hated rival. As he had formerly employed the Tribune Saturninus to carry out his designs, so now he found an able instrument for his purpose in the Tribune P. Sulpicius Rufus. Sulpicius was one of the greatest orators of the age, and had acquired great influence by his splendid talents. He was an intimate friend of the Tribune M. Livius Drusus, and had been himself elected Tribune for B.C. 88, through the influence of the Senatorial party, who placed great hopes in him; but, being overwhelmed with debt, he now sold himself to Marius, who promised him a liberal share of the spoils of the Mithridatic War. Accordingly, Sulpicius brought forward a law by which the Italians were to be distributed among the thirty-five tribes.
The trees, overcrowded everywhere, far from being gigantic, are, instead, mean-looking and anaemic--not unlike the pallid, overgrown youth of the over-populated slums of a great city. Orchids? Yes, there are plenty of orchids about, but you never see them unless you go on a special search for them with a high ladder or some other such means of climbing high trees. In any case, you would not detect them unless you had the eye of an expert. It is well not to forget that in tropical climates, as in temperate zones, plants are not always in bloom when you happen to be passing. As for the butterflies, you seldom see any at all in the actual forest.
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