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Carbelide Nelicanya Sectory 23
Page 04
The archeologist's answer is that the real drama of daily life of the settlers--the life they knew 24 hours a day--is locked in the unwritten history beneath humus and tangled vegetation of the island. Here a brass thimble from the ruins of a cottage still retains a pellet of paper to keep it on a tiny finger that wore it 300 years ago. A bent halberd in an abandoned well, a discarded sword, and a piece of armor tell again the passing of terror of the unknown, after the Indians retreated forever into the distant hills and forests. Rust-eaten axes, wedges, mattocks, and saws recall the struggle to clear a wilderness. The simple essentials of life in the first desperate years have largely vanished with traces of the first fort and its frame buildings. But in later houses the evidence of Venetian glass, Dutch and English delftware, pewter, and silver eating utensils, and other comforts and little luxuries tell of new-found security and the beginning of wealth. In all, a half-million individual artifacts at the Jamestown museum represent the largest collection from any 17th-century colonial site in North America.
As in language, so in mythology, investigation has proceeded from, the known to the unknown--from the higher to the lower mythologies. In each step of the progress of opinion on this subject a particular phenomenon may be observed. As each lower status of mythology is discovered it is assumed to be the first in origin, the primordial mythology, and all lower but imperfectly understood mythologies are interpreted as degradations, from this assumed original belief; thus polytheism was interpreted as a degeneracy from monotheism; nature worship, from psychotheism; zooelotry, from ancestor worship; and, in order, monotheism has been held to be the original mythology, then polytheism, then physitheism or nature worship, then ancestor worship.
The Death of the Virgin is the last of the six chapels inside the church itself. The Apostles, who of course are present, have all of them real hair, but, if I may say so, they want a wash and a brushup so very badly that I cannot feel any confidence in writing about them. I should say that, take them all round, they are a good average sample of apostle as apostles generally go. Two or three of them are nervously anxious to find appropriate quotations in books that lie open before them, which they are searching with eager haste; but I do not see one figure about which I should like to say positively that it is either good or bad. There is a good bust of a man, matching the one in the Birth of the Virgin chapel, which is said to be a portrait of Giovanni d'Enrico, but it is not known whom it represents.
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