Carbelide Nelicanya Sectory 21
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BENATO-BELTRAMI, ELISABETTA. Painter and sculptor of the nineteenth century, living in Padua since 1858. Her talent, which showed itself early, was first developed by an unknown painter named Soldan, and later at the Royal Academy in Venice. She made copies of Guido, Sassoferrato and Veronese, the Laokoon group, and the Hercules of Canova, and executed a much-admired bas-relief called "Love and Innocence." Among her original paintings are an "Atala and Chactas," "Petrarch's First Meeting with Laura," a "Descent from the Cross" for the church at Tribano, a "St. Sebastian," "Melancholy," a "St. Ciro," and many Madonnas. Her pictures are noble in conception and firm in execution.
So early as 1631 this colony decreed to admit none as freemen who were not also church members. Thus Church and State were made one, the government a theocracy. The Massachusetts settlers, though in many things less extreme than the Pilgrims, were decided Puritans, sincere but formal, precise, narrow, and very superstitious. They did not, however, on coming hither, affect or wish to separate from the Church of England, earnestly as they deprecated retaining the sign of the cross in baptism, the surplice, marriage with ring, and kneeling at communion. Yet soon they in effect became Separatists as well as Puritans, building independent churches, like those at Plymouth, and repudiating episcopacy utterly.
What constitutes progress? And what is the true criterion for its measurement? In adopting Western methods of life and thought, is Japan advancing or receding? The simplicity of the life of the common people, their freedom from fashions that fetter the Occidental, their independence of furniture in their homes, their few wants and fewer necessities--these, when contrasted with the endless needs and demands of an Occidental, are accepted by some as evidences of a higher stage of civilization than prevails in the West.
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