|
|
Carbelide Nelicanya Sectory 19
Page 05
Manifestly the king would not grant so much. On the occasion of his confirming the charter he demanded that the oath of allegiance be taken by the people of the colony; that justice be administered there in his name; and that the franchise be extended to all freemen of sufficient substance, with the liberty to use in worship, public and private, the forms of the English Church. The people obeyed but in part, for they would not even appear to admit the king's will to be their law. The franchise was slightly extended, in a grudging way, but no new religious privileges were at this time conceded. Unfortunately political and religious liberty were now in conflict. It was worse for the Baptists and Quakers that the king favored them, and the treatment which they received in the colony inclined them to the royalist side in the controversy.
And yet it seems very difficult for any person to realise what is the philosophical conclusion, namely, that the work of each of us matters very little to the world, but that it matters very much to ourselves that we should have some work to do. We seem to be a very feeble-minded race in this respect, that we require to be constantly bribed and tempted by illusions. I have known men of force and vigour both in youth and middle life who had a strong sense of the value and significance of their work; as age came upon them, the value of their work gradually disappeared; they were deferred to, consulted, outwardly reverenced, and perhaps all the more scrupulously and compassionately in order that they might not guess the lamentable fact that their work was done and that the forces and influences were in younger hands. But the men themselves never lost the sense of their importance. I knew an octogenarian clergyman who declared once in my presence that it was ridiculous to say that old men lost their faculty of dealing with affairs.
Against the right-hand wall are two lady-helps, each warming a towel at a glowing fire, to be ready against the baby should come out of its bath; while in the right-hand foreground we have the levatrice, who having discharged her task, and being now so disposed, has removed the bottle from the chimney-piece, and put it near some bread, fruit and a chicken, over which she is about to discuss the confinement with two other gossips. The levatrice is a very characteristic figure, but the best in the chapel is the one of the head nurse, near the middle of the composition; she has now the infant in full charge, and is showing it to St. Joachim, with an expression as though she were telling him that her husband was a merry man. I am afraid Shakespeare was dead before the sculptor was born, otherwise I should have felt certain that he had drawn Juliet's nurse from this figure. As for the little Virgin herself, I believe her to be a fine boy of about ten months old. Viewing the work as a whole, if I only felt more sure what artistic merit really is, I should say that, though the chapel cannot be rated very highly from some standpoints, there are others from which it may be praised warmly enough. It is innocent of anatomy-worship, free from affectation or swagger, and not devoid of a good deal of homely naivete. It can no more be compared with Tabachetti or Donatello than Hogarth can with Rembrandt or Giovanni Bellini; but as it does not transcend the limitations of its age, so neither is it wanting in whatever merits that age possessed; and there is no age without merits of some kind. There is no inscription saying who made the figures, but tradition gives them to Pietro Aureggio Termine, of Biella, commonly called Aureggio. This is confirmed by their strong resemblance to those in the Dimora Chapel, in which there is an inscription that names Aureggio as the sculptor.
|
bravenet.com