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Carbelide Nelicanya Sectory 16
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Though he never lies in wait, yet, when he hears, sees, or scents a man, he immediately utters his characteristic cry, prepares for an attack, and always acts on the offensive. The cry he utters resembles a grunt more than a growl, and is similar to the cry of the Chimpanzee when irritated, but vastly louder. It is said to be audible at a great distance. His preparation consists in attending the females and young ones, by whom he is usually accompanied, to a little distance. He, however, soon returns with his crest erect and projecting forward, his nostrils dilated, and his under-lip thrown down; at the same time uttering his characteristic yell, designed, it would seem, to terrify his antagonist. Instantly, unless he is disabled by a well-directed shot, he makes an onset, and, striking his antagonist with the palm of his hands, or seizing him with a grasp from which there is no escape, he dashes him upon the ground, and lacerates him with his tusks.

The Secundury was a stream with an average width of 60 m. and in many places quite deep. It had a great many little springs and streamlets flowing into it between steep cuts in its high embankments, which were of alluvial formation mingled with decayed vegetation. The banks almost all along were from 40 to 50 ft. high. We came across a large tributary on the right side of the river. It was evidently the stream to which we had first come on our disastrous march across the forest, and which I had mistaken for the Secundury. Beyond this river we came across some small rapids, of no importance and quite easy to negotiate by the large boats, although in one or two cases tow-ropes had to be used by the men who had landed in order to pull the boats through.

And so the mood of evening is the larger and the wiser mood, because we must think less of ourselves and more of God. In the dawn it seems to us that we have our part to play, and that nothing, not even God, can prevent us from exercising our will upon the life about us; but in the evening we begin to wonder how much, after all, we have the strength to effect; we see that even our desires and impulses have their roots far back in a past which no restlessness of design or energy can touch; till we end by thankfulness that we have been allowed to feel and to experience the current of life at all. I sat the other day by the bedside of an old and gracious lady, the widow of a great artist, whose works with all their shapely form and dusky flashes of rich colour hung on the walls of her room. She had lived for many years in the forefront of a great fellowship of art and endeavour; she had seen and known intimately all the greatest figures in the art and literature of the last generation; and she was awaiting with perfect serenity and dignity the close. She said to me with a deep emotion, "Ah, the only thing that I desire is that I may continue to FEEL--that brings suffering in abundance with it, but while we suffer we are at least alive. Once or twice in my life I have felt the numbness of anguish, when a blow had fallen, and I could not even suffer. That is the only thing which I dread--not death, nor silence, but only the obliteration of feeling and love." That was a wonderful saying, full of life and energy. She did not wish to recall the old days, nor hanker after them with an unsatisfied pain; and I saw that an immortal spirit dwelt in that frail body, like a bird in an outworn cage.



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