|
|
Carbelide Nelicanya Sectory 14
Page 06
Duvaucel affirms that he has seen the females carry their young to the water-side and there wash their faces, in spite of resistance and cries. They are gentle and affectionate in captivity--full of tricks and pettishness, like spoiled children, and yet not devoid of a certain conscience, as an anecdote, told by Mr. Bennett will show. It would appear that his Gibbon had a peculiar inclination for disarranging things in the cabin. Among these articles a piece of soap would especially attract his notice, and for the removal of this he had been once or twice scolded. "One morning," says Mr. Bennett, "I was writing, the Ape being present in the cabin, when, casting my eyes toward him, I saw the little fellow taking the soap. I watched him without him perceiving that I did so: and he occasionally would cast a furtive glance toward the place where I sat. I pretended to write; he seeing me busily occupied, took the soap, and moved away with it in his paw. When he had walked half the length of the cabin, I spoke quietly, without frightening him. The instant he found I saw him he walked back again and deposited the soap nearly in the same place from whence he had taken it. There was certainly something more than instinct in that action: he evidently betrayed a consciousness of having done wrong both by his first and last actions--and what is reason if that is not an exercise of it?"
M. Taine's philosophy which regards the art of any people or period as the necessary result of the conditions of race, religion, civilization, and manners in the midst of which the art was produced--and esteems a knowledge of these conditions as sufficient to account for the character of the art, seems to me to exclude many complex and mysterious influences, especially in individual cases, which must affect the work of the artists. At the same time an intelligent study of the art of any nation or period demands a study of the conditions in which it was produced, and I shall endeavor in this _resume_ of the history of women in Art--mere outline as it is--to give an idea of the atmosphere in which they lived and worked, and the influences which affected the results of their labor.
Yet among the majority of our song birds, the male is most conspicuous both by his color and manners and by his song, and is to that extent a shield to the female. It is thought that the female is humbler clad for her better concealment during incubation. But this is not satisfactory, as in some cases she is relieved from time to time by the male. In the case of the domestic dove, for instance, promptly at mid-day the cock is found upon the nest. I should say that the dull or neutral tints of the female were a provision of nature for her greater safety at all times, as her life is far more precious to the species than that of the male. The indispensable office of the male reduces itself to little more than a moment of time, while that of his mate extends over days and weeks, if not months.
|
bravenet.com