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Carbelide Nelicanya Sectory 13
Page 03
Falerii was almost the only one of the Etruscan cities which had assisted Veii, and she was now exposed single-handed to the vengeance of the Romans. It is related that, when Camillus appeared before Falerii, a schoolmaster of the town treacherously conducted the sons of the noblest families into the Roman camp, but that Camillus, scorning the baseness of the man, ordered his arms to be tied behind him, and the boys to flog him back into the town; whereupon the inhabitants, overcome by such generosity, gave up their arms, and surrendered to the Romans (B.C. 394).
The earliest decorative art appeared in Ireland. It was probably first planted there by missionaries from Italy, and it reached its height in the seventh century. In the ninth and tenth centuries missal illumination of a Byzantine cast, with local modifications, began to show. This lasted, in a feeble way, until the fifteenth century, when work of a Flemish and French nature took its place. In the Middle Ages there were wall paintings and church decorations in England, as elsewhere in Europe, but these have now perished, except some fragments in Kempley Church, Gloucestershire, and Chaldon Church, Surrey. These are supposed to date back to the twelfth century, and there are some remains of painting in Westminster Abbey that are said to be of thirteenth and fourteenth-century origin. From the fifteenth to the eighteenth century the English people depended largely upon foreign painters who came and lived in England. Mabuse, Moro, Holbein, Rubens, Van Dyck, Lely, Kneller--all were there at different times, in the service of royalty, and influencing such local English painters as then lived. The outcome of missal illumination and Holbein's example produced in the sixteenth and seventeenth centuries a local school of miniature-painters of much interest, but painting proper did not begin to rise in England until the beginning of the eighteenth century--that century so dead in art over all the rest of Europe.
The Argus is a bird with magnificent plumage; it inhabits the forests of Java and Sumatra, and takes its place beside the pheasant, from which it only differs in being unprovided with spurs, and by the extraordinary development of the secondary feathers of the wings in the male. The tail is large and round, and the two middle feathers are extremely long and quite straight. When paraded, as it struts round the female, spreading its wings and tail, this bird presents to the dazzled eye of the spectator two splendid bronze-colored fans, upon which is sprinkled a profusion of bright marks much resembling eyes. It owes its name of Argus to these spots.
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