|
|
Carbelide Nelicanya Sectory 05
Page 08
I know too well that on expeditions it is fatal to halt anywhere; therefore I was anxious to push on at once. The night before our departure Mr. Barretto gave a grand dinner-party in my honour, long speeches being read out by him and his assistant, when we sat down on rough wooden benches and packing-cases to a most elaborate meal of fried fish, grilled fish, boiled fish, tortoise eggs--quantities of them--stewed pork and roast pork. A whole sucking-pig adorned the table. The greatest happiness reigned that night at table, and I owe a deep debt of gratitude to Mr. Barretto for his exquisite kindness during the two or three days I was his guest. My men were also asked to the banquet, and had a good fill. But I felt extremely sad, quite broken-hearted, over the loss of the fossils, and I could really enjoy nothing notwithstanding outward appearances.
Living at the same time with these half-Italianized painters, and continuing later in the century, there was another group of painters in the Low Countries who were emphatically of the soil, believing in themselves and their own country and picturing scenes from commonplace life in a manner quite their own. These were the "Little Masters," the _genre_ painters, of whom there was even a stronger representation appearing contemporaneously in Holland. In Belgium there were not so many nor such talented men, but some of them were very interesting in their work as in their subjects. Teniers the Younger (1610-1690) was among the first of them to picture peasant, burgher, alewife, and nobleman in all scenes and places. Nothing escaped him as a subject, and yet his best work was shown in the handling of low life in taverns. There is coarse wit in his work, but it is atoned for by good color and easy handling. He was influenced by Rubens, though decidedly different from him in many respects. Brouwer (1606?-1638) has often been catalogued with the Holland school, but he really belongs with Teniers, in Belgium. He died early, but left a number of pictures remarkable for their fine "fat" quality and their beautiful color. He was not a man of Italian imagination, but a painter of low life, with coarse humor and not too much good taste, yet a superb technician and vastly beyond many of his little Dutch contemporaries at the North. Teniers and Brouwer led a school and had many followers.
This way of measuring does not, however, take us very far away in the heavens. There are only a few hundred stars within five hundred trillion miles of the earth, and at that distance the "shift" of a star against the background (parallax, the astronomer calls it) is so minute that figures are very uncertain. At this point the astronomer takes up a new method. He learns the different types of stars, and then he is able to deduce more or less accurately the distance of a star of a known type from its faintness. He, of course, has instruments for gauging their light. As a result of twenty years work in this field, it is now known that the more distant stars of the Milky Way are at least a hundred thousand trillion (100,000,000,000,000,000) miles away from the sun.
|
bravenet.com