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Carbelide Nelicanya Sectory 04
Page 02
Some of the most eminent men of Rome had long been convinced of the necessity of this reform. It had been meditated by the younger Scipio Africanus, and proposed by C. Gracchus. The Roman people, however, always offered it the most violent opposition. But Drusus still had many partisans. The Italian allies looked up to him as their leader, and loudly demanded the rights which had been promised them. It was too late to retreat; and, in order to oppose the formidable coalition against him, Drusus had recourse to sedition and conspiracy. A secret society was formed, in which the members bound themselves by a solemn oath to have the same friends and foes with Drusus, and to obey all his commands. The ferment soon became so great that the public peace was more than once threatened. The Allies were ready to take up arms at the first movement. The Consuls, looking upon Drusus as a conspirator, resolved to meet his plots by counterplots. But he knew his danger, and whenever he went into the city kept a strong body-guard of attendants close to his person.
On either of side the main room there are two annexes opening out from it; these are reserved chiefly for the younger children, some of whom, I think, are little boys. In the left-hand annex, behind the ladies who are making a mitre, there is a child who has got a cake, and another has some fruit--possibly given them by the Virgin-and a third child is begging for some of it. The light failed so completely here that I was not able to photograph any of these figures. It was a dull September afternoon, and the clouds had settled thick round the chapel, which is never very light, and is nearly 4000 feet above the sea. I waited till such twilight as made it hopeless that more detail could be got--and a queer ghostly place enough it was to wait in--but after giving the plate an exposure of fifty minutes, I saw I could get no more, and desisted.
There is something in the Anglo-Saxon temperament which is on the whole unfavourable to movements and groups; the great figures of the Victorian time in art and literature have been solitary men, anarchical as regards tradition, strongly individualistic, working on their own lines without much regard for schools or conventions. The Anglo-Saxon is deferential, but not imitative; he has a fancy for doing things in his own way. Wordsworth, Keats, Shelley, Byron-were there ever four contemporary poets so little affected by one another's work? Think of the phrase in which Scott summed up his artistic creed, saying that he had succeeded, in so far as he had succeeded, by a "hurried frankness of composition," which was meant to please young and eager people. It is true that Wordsworth had a solemn majesty about his work, practised a sort of priestly function, never averse to entertaining ardent visitors by conducting them about his grounds, and showing them where certain poems had been engendered. But Wordsworth, as Fitz-Gerald truly said, was proud, not vain--proud like the high-hung cloud or the solitary peak. He felt his responsibility, and desired to be felt rather than to be applauded.
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