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Carbelide Nelicanya Sectory 02
Page 05
Above all, those are most subject to envy, which carry the greatness of their fortunes, in an insolent and proud manner; being never well, but while they are showing how great they are, either by outward pomp, or by triumphing over all opposition or competition; whereas wise men will rather do sacrifice to envy, in suffering themselves sometimes of purpose to be crossed, and overborne in things that do not much concern them. Notwithstanding, so much is true, that the carriage of greatness, in a plain and open manner (so it be without arrogancy and vain glory) doth draw less envy, than if it be in a more crafty and cunning fashion. For in that course, a man doth but disavow fortune; and seemeth to be conscious of his own want in worth; and doth but teach others, to envy him.
There is a curly retriever at Arundel bearing the name of "Shock," which sets an example of good manners and intelligence to the animals which are not dumb. He carries the cat of the stables tenderly in his mouth, and would carry the kitten, but at present the kitten prefers its own means of locomotion. When Sanger's elephant got into trouble in the river Arun, this wise Shock was sent to turn him out, and his perseverance succeeded. He often will insist on carrying a bundle of umbrellas to the station, and safely he delivers them to their owners, and then, with many wags of his brown tail, he demands a halfpenny for his trouble. This halfpenny he carries to the nearest shop, lays it on the counter, and receives his biscuit in return. Need we say this dog has a kind, sensible master?
The Pre-Raphaelites, for instance, were a group and not a coterie. They were engaged in working and enjoying, in looking out for artistic promise, in welcoming and praising any performance of a kind that Rossetti recognised as "stunning." They were sure of their ground. The brotherhood, with its magazine, The Germ, and its mystic initials, was all a gigantic game; and they held together because they were revolutionary in this, that they wished to slay, as one stabs a tyrant, the vulgarised and sentimental art of the day. They did not effect anything like a revolution, of course. It was but a ripple on the flowing stream, and they diverged soon enough, most of them, into definite tracks of their own. The strength of the movement lay in the fact that they hungered and thirsted after art, clamouring for beauty, so Mr. Chesterton says, as an ordinary man clamours for beer. But their aim was not to mystify or to enlarge their own consequence, but to convert the unbeliever, and to produce fine things.
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